No. 11
Mercè Rodoreda at Carnival; Francis Spufford on the Soviets and the story of an idea; Stephen Burt on new American poets; Julian Gough explains how to fall in love properly; Geoffrey G. O'Brien catalogs three years; Annie Coggan makes a home for Ulysses Grant, and Rachel Cohen takes a tour; Allan Gurganus's Lair and Refuge; Ian Chillag, Maud Casey, Brian T. Edwards, and Aviya Kushner on laughter; and reintroducing Charles Newman.
No. 11 • Julian Gough
Comic writers laugh at the folly of humanity (“Poor, sufferin’ Hugh Mannity,” as Flann O’Brien put it).No. 11 • Maud Casey
In Max Frisch’s strange and beautiful little novel Man in the Holocene, an old man named Geiser is trapped in his home in an Alpine valley in southern Switzerland by the collapse of a supporting wall that blocks the highway to the tiny village.No. 11 • Brian T. Edwards
No one jokes with me when I go to Tehran.No. 11 • Aviya Kushner
One of my biggest fears is that I will die because I have talked too much.No. 11 • Ian Chillag
Red blood cell. For twenty-five years, every time I’ve heard or read the term, I’ve thought of Arby Sea.No. 11 • Julian Gough
Slowed a little by a stone in my shoe, I arrived in Galway City a while after dark. Galway City, the Sodom of the West!No. 11 • Annie Coggan
The Grants moved into a brownstone on East Sixty-sixth Street—financed by the general's supporters—in 1881.No. 11 • Rachel Cohen
The house at 3 East Sixty-sixth Street was the third from the end in the Grants’ lives together.No. 11 • Geoffrey G. O’Brien
Toying with a gun as a train goes past / June is what I’d imagined, dark / intermittent woods set off / by the whiteness of a collar, a book / I can’t believe we’re left alone with.No. 11 • D. Wystan Owen
On the morning of his ex-wife’s appointment, Kenneth Rivers still owed her an RSVP.No. 11 • Stephen Burt
Poems routinely solicit—they may even include outright—generalizations about everything from barbecue methods to categorical imperatives, but they raise special puzzles, or paradoxes, when they solicit generalizations about themselves, since good poems try to be as unlike one another as possible.No. 11 • Jennifer Chang
Now the fever root, / the marsh weed, the marigold.No. 11 • Katie Degentesh
Do you think everything you’re supposed to think?No. 11 • Michael Dickman
The beautiful invisible music falling from the speakers in the other room / is Mahler imitating the snowNo. 11 • Carmen Giménez Smith
You’re a wet thing in my throat: oyster.No. 11 • Aracelis Girmay
Praise the Mohawk roof / of the donkey’s good & grey headNo. 11 • Jennifer Kronovet
The ice encases the branches / of trees as if beauty can just.No. 11 • David Lau
The earliest writing in Golden City / left turn-signal sensors / trafficking / in Variegated Solomon’s SealNo. 11 • Joseph Massey
Tape unspools from a cassette, / collects—a nest—between two / pieces of driftwoodNo. 11 • Anna Moschovakis
I don’t know a thing about paradise || In my house nobody ever brought it upNo. 11 • Fred Moten
the way orchestra sounds in birmingham / that’s my sound.No. 11 • Zach Savich
Having fixed the typewriter, / eaten the oranges and eggs / the house’s owner left, I sat / at the white table and tried to tend / to the need for deepening sacrifice / without upsetting my urge / for everything to be responsible / and pure.No. 11 • Melissa Pritchard
The Collector—wearing an oilcloth hat, overcoat, and soaking-wet boots, slogged through rain, a fish-shaped basket of gray willow sealed by a flap of leather across his shoulders.No. 11 • Paul Winner
A decade ago, I was Charles Newman’s student in St. Louis. A celebrated novelist came through that fall to read a list of current faculty when she stopped at a name. “Newman? Charles Newman?” she said. “God, he’s an icon.”By the time I came into his life, he drank too much and ate too little.No. 11 • Charles Newman
All that we know definitely about Purcell’s history as a choirboy is that his voice broke in 1673... beyond that lies the territory of invention.No. 11 • Francis Spufford
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