No. 17
Douglas Crase on Michelle Jaffé’s Wappen Field; John Haskell in Los Angeles; Peter Orner in Chicago; Jessica Francis Kane on Thomas Lane; Tom Drury at the zoo; Hervé Guibert’s journals; poems from Palestine; stories by Patricio Pron and Christina Hesselholdt; poems by Suzanne Buffam, Monica Ferrell, Vijay Seshadri, and others; and introducing Megan Cummins.
No. 17 • Jessica Francis Kane
The white paper stood out among the faded posters announcing diversions she’d tried in years past—yoga, piano lessons, French conversation.No. 17 • John Haskell
The story I’m in begins, not at the beginning because there is no beginning, but I remember sitting behind a desk.No. 17 • Vijay Seshadri
Not just because of my cold, cold heart, / pumping absolute zero in the glacial void / do I not know anyone trulyNo. 17 • Mark Bibbins
Frankly I don’t follow this / strategy of yoursNo. 17 • Suzanne Buffam
People who live in glass houses should install blinds.No. 17 • Brian Blanchfield
It scarcely varies.No. 17 • Andrew Zawacki
Fire / Wall and wall / -flower, you, a blossom of ice at the frontierNo. 17 • Douglas Crase
I had the good luck to encounter Michelle Jaffé’s room-sized installation, Wappen Field, at the Bosi Contemporary gallery in New York early in August 2012.No. 17 • Megan Cummins
All that vanished time rattled around inside him like engine knock.No. 17 • Hervé Guibert
I think that death, when it comes, is ardently desired by the body (abrupt spring shower), that it is just the respite from a fatal disgust.No. 17 • Patricio Pron
We opened the bottle and took a long sip before lying down on the grass and looking at the clouds:Get A Public Space as you like it: the print magazine, the digital version, or a print and digital bundle. The best value? Subscribe to A Public Space and receive three new issues of the magazine as well as exclusive access to the online archive.