No. 24
The Other Interest: Etel Adnan on weaving; poetry by Giorgio de Chirico; David Lynch paints; a memoir by Gordon Parks; Sally Potter's work diary; Dorothea Tanning's fiction; New work from Martha Cooley, Dan Chelotti, Graham Foust, Katy Lederer, Fadwa Suleiman and others; and introducing Jai Chakrabarti, Cornelius FitzPatrick, Arinze Ifeakandu, Mahreen Sohail, and April Wolfe.
No. 24 • Brigid Hughes
What one is known for, what is presented as a life’s work, is not an entirety. These other interests, away from the perfectionism and public attention of primary pursuits, could offer another, less guarded view.No. 24 • Herta Müller
I begin to feel uneasy and then I disappear.No. 24 • Dorothea Tanning
In 1947, Dorothea Tanning was already known as a painter when the magazine Les Quatre Vents published her story “Dream It or Leave It” in an issue devoted to the Surrealists, revealing her as one of the group’s rare members with talent as both a visual artist and a writer.No. 24 • Pamela S. Johnson
For Dorothea Tanning, 1947 was a year of realized dreams.No. 24 • Dorothea Tanning
I am afraid, too, of unforeseen events, cats, acts of violence, sickness, steep hills, the power of the unknown and my own potential. All unsurprising fears.No. 24 • Dorothea Tanning
Sometimes I think the only true and satisfactory means of contact with those we love is by writing rather than talking.No. 24 • Gordon Parks
You are about to witness a remote and covetous collaboration between flower and beast.No. 24 • Sally Potter
It’s not so much a matter of finding a fictitious self, but rather locating how to inhabit a space with presence.No. 24 • Giorgio de Chirico
The painter in Italy during the First World War.No. 24 • David Lynch
I can feel a little bit of a story before the frame that’s the painting and a little bit of the story afterwards.No. 24 • Etel Adnan
At moments like this I begin to think we’re at the beginning of a new millennium, a new vocabulary, a very new perception.No. 24 • Dan Chelotti
Nietzsche says that we live / our lives to live them again, / exactly as they were lived.No. 24 • Laynie Browne
You know I wouldn’t love you any less / if there were no possible end to loveNo. 24 • Sally Wen Mao
All a ghost wants is to be chained / to a place, to someone who can’t forget / her.No. 24 • Graham Foust
We like to say we hate the visual arts, / the ways adults address their children and pets, / the open sore or sewer we call the sea.No. 24 • Andrew Seguin
So many hearts / sputter to pump in the hospital / like organists playing from a reefNo. 24 • Martha Cooley
Maybe those women felt as mercurial and blurry as she often did. Well, not blurry, exactly: incompletely inventoried. Like a house with unexplored rooms.No. 24 • Katy Lederer
For him, it was a mediation / of desire, the word in his / wooden tongue.No. 24 • Jennifer Chang
I watched her once unhook dead branches / from a living tree.No. 24 • Shuzo Takiguchi
Beautiful words / transform into birds of light / inside a crystal eye.No. 24 • Meghan Privitello
It has taken me a light-year to not come to terms with dying.No. 24 • Josh Bell
Like many of you humans, I enjoy lifting small, living things, because sometimes they fear meNo. 24 • Fadwa Suleiman
There is no way out if you kill / Your victory will teeter on one leg / There will be a crown of blood on your headNo. 24 • Catie Rosemurgy
Something bad, something sequential, is happening to you. / Maybe not to you, but in the place you’re standing.No. 24 • Peter Gizzi
Is the word / a cunning bird / even in new / dark I will not / be quiet, the / feathering / covering meNo. 24 • Jai Chakrabarti
No ruse better than a woman in the home, Nikhil had argued over a year ago, and eventually Sharma had agreed.No. 24 • Cornelius FitzPatrick
He wanted to be equal to the gaze of the sky.No. 24 • Arinze Ifeakandu
Your heart burned like you had hot charcoal on it, and your tongue tasted like bitter lemon.No. 24 • April Wolfe
You were so far away from her and too scared to close the distance.Get A Public Space as you like it: the print magazine, the digital version, or a print and digital bundle. The best value? Subscribe to A Public Space and receive three new issues of the magazine as well as exclusive access to the online archive.